Verner Panton (1926-1998) was an inspirational and colourful personality. A unique person with a special sense of colours, shapes, light function and room.
Over the course of his career, Verner Panton introduced a series of modern lamps with personalities unlike any of his Scandinavian contemporaries. With a remarkable faith in the unlimited possibilities of the form, he worked successfully to create a new set of theories about how lighting should work and how it should influence its surrounding.
Verner Panton studied at the Royal Danish Academy of Fine Arts in Copenhagen before going on to work at Arne Jacobsen’s architectural practice. He set up his own design studio in 1955.
All images ©Verner Panton Design / www.verner-panton.com
SHAPE OR COLOUR?
Colour, thought Panton.
"The main purpose of my work is to provoke people into using their imagination. Most people spend their lives living in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, I try to show new ways, to encourage people to use their imagination and make their surroundings more exciting" - Verner Panton
Verpan proudly carry on this tradition, and through partnerships with e.g. Danish upholstery specialist, KVADRAT select and curate special fabrics for Panton's unique designs.
Verner Panton started by designing lamps for Louis Poulsen. The first lamp to be put into production was the Topan lamp in 1959, followed by the Moon lamp in 1960.
In 1964 Panton contacted the lighting manufacturer J. Lüber AG in Switzerland about a lamp which he had designed that consisted of hundreds of small reflective discs. The first prototype of this lamp was made using discs cut out of silver foil by his wife Marianne.
Lüber liked the concept but had reservations about the materials. Instead, to achieve a similar effect to silver foil, the discs were made from thin metal sheet (as used for the product today). The lamp got the name FUN.
Verner Panton was born in the village of Gamtofte on the island of Funen in 1926. His father was a publican and innkeeper, who worked first at the inns in Haarslev and Mørkenborg and subsequently as tenant publican of the Komigen inn on the Langesø estate.
It was here that Verner Panton spent his childhood as the oldest of two brothers, from the age of 10 and following his parents’ divorce with three half-brothers. His mother left Funen with Verner’s younger brother to live on the island of Lolland. Verner Panton originally wanted to be an artist, but his father was against this so, as a compromise, Verner Panton decided to become an architect and train at the Royal Academy of Fine Arts, School of Architecture in Copenhagen. However, before commencing his architectural training he started his working life as a traditional tradesman, as a bricklayer. In 1951 he qualified as an architect.
Interior design projects.
Verner Panton undertook numerous interior design projects, including several for the German chemicals group Bayer. Panton initiated the dialogue with Bayer in connection with the development of the Panton Chair. Subsequently, the company asked Panton to create a stand for them at the furniture fair in Cologne, Germany, in 1968. The aim of the project was to promote the fabric ‘dralon’.